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Biographies
Different
Voices
The transnational art
project “Different Voices” is a platform for production and
dissemination of gender-debating artworks in public spaces. Various
people with an interest in gender issues have been participating in
workshops, discussions and public art projects, where collaboration has
been an essential working method. Cooperation beyond professions,
gender, borders of nations and boundaries of class/caste and race has
formed the Different Voices project. The project was made in
collaboration between the feminist artist collective “Women Down The
Pub” (DK/SE) and the Nepalese artist group “Lasanaa - An Alternative
Art Space.
www.differentvoices.org
Olaf
Gerlach-Hansen
From 1998 to 2006, Olaf
Gerlach-Hansen - as its first Director General - led the establishment
of the Danish Center for Culture and Development (DCCD) under the
Danish Foreign Ministry. He was in charge of building and implementing
international strategies for culture and development and of cultural
exchange.
Previously, in 1990 -
2007 he was director of the Western world’s largest recurring art and
cultural festival focusing on dialogue with the non-western world, the
Images festival. He developed major programs with Africa, Asia, The
Middle East and on the worldwide cultural consequences of
globalization. Today Olaf is Director of CuDIC, which develops and
delivers services on culture, development and international
cooperation. Simultaneously, he acts as Senior Advisor for the Danish
Cultural Institute, the national Danish institution for international
cultural cooperation. He is co-founding Director of Culture| Futures –
Transitions to an Ecological Age, which aims at accelerating behavioral
change for a sustainable future. Olaf has a MA from the University of
Copenhagen and lectured here in the topic of dreams and imagination.
Among his honorary offices are Past President International Association
for the Study of Dreams, Member Danish UNESCO National
Commission/Culture, Steering Group of International Network for
Cultural Diversity.
Contact: ogh@cudic.dk or
ogh@culturefutures.org
Ganesh
Gurung
Dr. Ganesh Gurung is a
sociologist based in Kathmandu, He holds a PhD in migration and
development. He was Vice Chairperson of the Social Welfare Council,
Nepal government. He is founding Chairperson of the Nepal Institute of
Development Studies (NIDS). He served as chair person of CARAM Asia
(Coordination of Action Research on AIDS and Mobility) based in
Malaysia and he is former chair person of Nepal National Network of
Safe Migration.
Currently, Dr. Gurung is
Hon. member of National Planning Commission in Nepal which is chaired
by Rt. Hon. Prime Minister of Nepal.
Contact:
ganesgrg@mos.com.np
Nynne
Haugaard
Nynne Haugaard is a
cross-medial visual artist based in Denmark. Her works and interest
focus on representation - and transnational/global issues. She works
with gender, race, class and how reality is produced and can be
questioned, reflected and re-negotiated. Her practice is informed by
feminism and feminist art. She works with interventions, video,
installations, social sculptures, photography and documentary with a
political, social, “journalistic” and aesthetic point of view. She
normally works site-specific in collaborations with other artists
and/or with other professions. She has worked with Nikolaj Kilsmark in
various art projects since 1999. She is a member of the art group Women
Down the Pub (WdtP) since 2002 and co-editor of the book VIEW--
feminist strategies in Danish visual Arts made by WdtP. She is Educated
from The Academy of Fine Arts in Jutland, Denmark, “Hochschule der
Künste” in Berlin and The Danish Royal Academy of Fine Arts in
Copenhagen. She graduated as visual artist from The Danish Royal
Academy of Fine Art in Copenhagen in 2006. She earned a master’s degree
in theory and communication at the Royal Academy of Fine Arts in
Copenhagen in 2008.
www.haugaardkilsmark.net,
www.art4change.org
Contact:
nynnehaugaard@hotmail.com
Haugaard
&
Kilsmark
–
Nepal
Project
Nynne Haugaard and
Nikolaj Kilsmark worked with projects in Nepal from July 2006 to March
2009. Initially, they worked for MS-ActionAid as Visual Advisors taking
part in project planning, campaigns and information work.
Simultaneously they worked with the cooperative art project “Different
Voices”. The “Different Voices” project began in April 2007 and
ended in May 2009 with the publication of the book Different Voices.
Haugaard & Kilsmark have worked in Nepal for a period of 23 month
from 2006 to 2009. Haugaard-Kilsmark utilise aesthetics as a platform
that can discuss social change.
www.haugaardkilsmark.net
Carsten
Juhl
Since 1996 Carsten Juhl
is the head of the Department of Art Theory at The Royal Danish Academy
of Fine Arts – Schools of Visual Arts. Last book:Globalæstetik.
Verdensfølelsen og det kosmopolitiske perspektiv [Global
aesthetics. World feeling and the cosmopolitan perspective],
Billedkunstskolernes Forlag, Copenhagen, 2007.
He is also a translator
and has translated Agamben, Baudrillard, Boccioni, Bordiga, Kant,
Lyotard, Marinetti, Montale, Perniola and Serres into Danish. He is the
editor of the periodical magazine Hæfter for Gæstfrihed
[Fascicles for Hospitality].
Nikolaj
Kilsmark
Nikolaj Kilsmark is a
visual artist based in Denmark. In his work he focuses on issues of
migration and globalization. He uses aesthetic conceptual language to
communicate socio-political issues. He creates documentation- and
conceptual images that invite to dialogue and discussions in different
political contexts and media. Nikolaj works with video, photography and
international development. Over the past five years, he has been
focusing especially on art- and cross-disciplinary collaborations in
the context of international development. Since 1999, he has worked
together with Nynne Haugaard in various projects. Nikolaj Kilsmark
graduated in 2000 from The Academy of Fine Arts in Jutland, Denmark.
Nikolaj Kilsmark is chairperson of the association of Young Art Workers
(UKK) www.haugaardkilsmark.net, www.art4change.org
Contact:
nikolajkilsmark@hotmail.com
Lasanaa
Lasanaa is a non-profit
organization founded in 2007. Artists and lovers of art from various
fields have come together to create this alternative art space. The
main aim of Lasanna is to create an alternative art space for
contemporary artists. Lasanaa believes strongly in learning by
exchange. Lasanaa encourages different national and international
artists to explore beyond conventional and traditional art forms. It
also aims to bring changes in society at social, cultural and political
levels through art workshops, residencies and dialogues. Lasanaa is
aiming to develop an alternative art institute.
Trustees: Sanjeev Uprety
(writer/ professor - English Dept, Tribuvan University), Ganesh Gurung
(sociologist), Anju Chhetri (journalist, activist, Basanta Ranjitkar -
social worker, civil society), Neena Shrestha (sociologist), Ashok
Gurung (director of India China Institute New School university –NY),
Ashmina Ranjit (visual artist /activist).
Website:
www.lasanaa.org.np
Steven
Sampson
Steven Sampson, PhD, is a
social anthropologist at Lund University in
Sweden. He has
worked as consultant and has published articles on civil
society, administrative
reform, human rights, development and project
life, especially in the
Balkan countries. He is presently writing a book
on the global
anti-corruption industry. He has worked in many countries,
but his favourite country
is Aidland. He lives in Copenhagen.
Contact:
steven.sampson@soc.Lu.se
K. P.
Soman
K. P. Soman is educated
in Science and Fine Arts at M.S. University of Baroda, He has been
teaching art at different universities and is currently teaching at the
Department of Sculpture, Faculty of Fine Arts at M.S. University
Baroda.
Among K. P. Soman´s
works is the “Independence Golden Jubilee Monument” (1997-2000). It is
an open-ended sculptural installation in front of the Government
Secretariat of Trivandrum in the state of Kerala in South India. In the
installation, people from different walks of life give their comments
on what really happened after 50 years of independence in India. One of
the elements in the installation is the casting of Dalit footprints
placed with the soles up. The viewer literally walk upon them in the
installation. In connection with Rai University in New Delhi, K. P.
Soman and his students organised exhibitions, performances and other
cultural activities around a tree in an industrial area from 2001-2005.
The Tree gallery created interaction with the industrial workers during
their lunch break. It aimed to create social and political awareness
among the people.
Jaime
Stapleton
Dr Jaime Stapleton is an
Associate Research Fellow of the School of Law, Birkbeck College,
University of London. He speaks regularly on issues relating to
creative practice, law and political economy. He has worked as a
consultan t for, among others, the World Intellectual Property
Organization and the Royal Society of Arts, London. As an academic, he
has taught at a number of universities in the UK, and served on the
Editorial Board of Art and Humanities Research Council's ‘Primary
Sources in Copyright (1450-1900)’ project and was core participant of
the AHRC's network ‘Intermedia: New Media Art, Performativity and
Authenticity’ based at Tate Modern. He also worked as an officer at the
National Office of Arts Council England, the principle state arts
funding body in the UK.
Women
Down the Pub
Women Down the Pub (in
Danish: Kvinder på Værtshus) is a group of visual artists
collaborating on gender issues relating to politics, representation,
and language. WdtP started its art practice in 1997 and have
participated in exhibitions, arranged workshops, collaborated with
various organizations and produced publications on feminist projects.
In 2004, WdtP made the book “View – Feminist Strategies in Danish
Visual Art” as part of a strategy to make gender-related artwork from
the last decades known and available (www.udsigt.info). WdtP employ
feminism as an analytical tool to relate critically to established
social norms and to infiltrate hegemonic forms of representation.
WdtP´s artistic praxis is cross medial working from - and in
various public platforms: as in the Different Voices project in Nepal -
in discussions, talks, workshops, exhibitions and in the public sphere.
Or as in the art intervention ”The Other Tour” in 2009 – a guided canal
tour with an alternative reading of Copenhagen which took its points of
departure in stories about homo/bi/trans/heterosexual women and men,
queers and ethnic minorities. ”The Other Tour” relates to an earlier
WdtP project: “Herstories Tour” - a guided tour which took place in
2000 focusing on women in hi-story: An all-encompassing account of
history is not be found, one finds only multiple her- and hi-stories.
www.differentvoices.org,
www.udsigt.info

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